(De)Facing Aestheticism in The Outcry

£6.99

Symbiosis 5.2 (2001) 159-71
Author: Sheila Teahan
15 Pages

This micro-ebook, "(De)Facing Aestheticism in ‘The Outcry’" by Sheila Teahan, offers a compelling analysis of Henry James's novel "The Outcry" and its engagement with British aestheticism. Originally published in Symbiosis: a Journal of Anglo-American Literary Relations, this essay examines James's transition from drama to novel form and the implications of his revisions. Teahan delves into the unstable oppositions between privacy and publicity, aesthetic and monetary value, providing a critical re-evaluation of one of James's lesser-known works. This edition is essential for scholars and enthusiasts of Henry James, literary criticism, and aestheticism.

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Symbiosis 5.2 (2001) 159-71
Author: Sheila Teahan
15 Pages

This micro-ebook, "(De)Facing Aestheticism in ‘The Outcry’" by Sheila Teahan, offers a compelling analysis of Henry James's novel "The Outcry" and its engagement with British aestheticism. Originally published in Symbiosis: a Journal of Anglo-American Literary Relations, this essay examines James's transition from drama to novel form and the implications of his revisions. Teahan delves into the unstable oppositions between privacy and publicity, aesthetic and monetary value, providing a critical re-evaluation of one of James's lesser-known works. This edition is essential for scholars and enthusiasts of Henry James, literary criticism, and aestheticism.

Symbiosis 5.2 (2001) 159-71
Author: Sheila Teahan
15 Pages

This micro-ebook, "(De)Facing Aestheticism in ‘The Outcry’" by Sheila Teahan, offers a compelling analysis of Henry James's novel "The Outcry" and its engagement with British aestheticism. Originally published in Symbiosis: a Journal of Anglo-American Literary Relations, this essay examines James's transition from drama to novel form and the implications of his revisions. Teahan delves into the unstable oppositions between privacy and publicity, aesthetic and monetary value, providing a critical re-evaluation of one of James's lesser-known works. This edition is essential for scholars and enthusiasts of Henry James, literary criticism, and aestheticism.

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Essay Excerpt

"Writing to Edith Wharton on 19 November 1911, Henry James responds to a now-lost letter in which Wharton had apparently praised his recent novel The Outcry, but had also encouraged him to attempt another novel in the mode of The Golden Bowl. He writes: ‘You speak at your ease, chère Madame, of the interminable & formidable job of my producing à mon âge another Golden Bowl—the most arduous & thankless task I ever set myself. However, on all that il y aurait bien des choses à dire; & meanwhile, I blush to say, the Outcry is on its way to a fifth Edition (in these few weeks) whereas it has taken the poor old G.B. 8 or 9 years to get even into a third … The vague verbosity of the Oxus-flood (beau nom!) [of The Golden Bowl] terrifies me—sates me; whereas the steel structure of the other form makes every parcelle a weighed & related value. Moreover nobody is really doing (or, ce me semble, as I look about, can do) Outcries, while all the world is doing G.B.’s—& vous même, chère Madame, tout le premier: which gives you really the cat out of the bag. My vanity forbids me (instead of the more sweetly consecrating it) a form in which you run me so close.’ This extraordinary letter is memorable not only for James’s stunning assertion that ‘all the world is doing G.B.’s’ (rather a disconcerting prospect even for lovers of late James) but for its confidence that his professional future lay in producing more works like The Outcry."

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