Essay Excerpt
"Charles Tomlinson’s poetry, from The Necklace (1955) to The Vineyard Above the Sea (1999), has continued a remarkable dialogue with America. Adapting different verse-forms by Wallace Stevens and William Carlos Williams, he has extended his range and sharpened his grasp of a Wordsworthian syntactic inheritance. But he has also brought the sound and texture of American voices themselves into the poetry. Re-evoked—indeed, at times, retrieved from the unheard or buried—they attest to the widened sense of singularities, in people and place, that the experience of America has given Tomlinson—that which, translated back to Europe with a new poetic collectivity, can also return once more, enlivened, to its original country."