Silence and Solidity in Early Anglo-American Modernism: Nietzsche, the Fourth Dimension, and Ezra Pound Symbiosis 10.1 and 10.2

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Explore the intricate intersections of philosophy, geometry, and modernist poetics in Ian F. A. Bell and Meriel Lland's profound essay, "Silence and Solidity in Early Anglo–American Modernism: Nietzsche, the Fourth Dimension, and Ezra Pound." This scholarly work delves into Ezra Pound’s utilization of Nietzschean philosophy and the concept of the Fourth Dimension, highlighting their influence on his poetic techniques and modernist aesthetics.

Bell and Lland provide an in-depth analysis of Pound's works, such as "Hugh Selwyn Mauberley" and "In a Station of the Metro," elucidating how concepts of silence, stillness, and non-Euclidean geometry shaped his creative vision. The essay further examines the broader implications of these ideas within early 20th-century Anglo-American modernism, offering valuable insights into the intellectual and artistic currents of the period.

Perfect for literature students, scholars, and enthusiasts of modernist studies, this essay presents a comprehensive exploration of Pound's innovative approaches and the philosophical underpinnings of his work. Enhance your understanding of modernist literature and the dynamic interplay between poetic form, philosophical thought, and geometric abstraction.

Features

• In-depth analysis of Ezra Pound’s poetry and poetics

• Exploration of Nietzschean philosophy and the Fourth Dimension

• Insightful commentary on modernist aesthetics and intellectual history

• Written by esteemed scholars Ian F. A. Bell and Meriel Lland

• Ideal for students, educators, and literary enthusiasts